| Àâòîð | Òåìà: ïðîäàì îáîðóäîâàíèå TC Helicon VoiceONE - ÂÀØÀ ÖÅÍÀ? |
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Âðåìÿ: 13.02.2009 22:39 |
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Âîêàëüíûé ïðîöåññîð VoiceOne èñïîëüçóåò âòîðîå ïîêîëåíèå òåõíîëîãèè ìîäåëèðîâàíèÿ ãîëîñà, âïåðâûå ïðèìåíåííîé â óñòðîéñòâàõ VoicePrism Plus è VoiceCraft, ñ àëãîðèòìàìè èçìåíåíèÿ ôîðìàíò, èçìåíåíèÿ ïîëà, äîáàâëåíèÿ äûõàíèÿ, “ïåñêà”, õðèïà, ðåçîíàíñà è âèáðàòî. Êðîìå òîãî, âîçìîæíû àâòîìàòè÷åñêàÿ èëè ðó÷íàÿ êîððåêöèÿ âûñîòû òîíà (ñ óïðàâëåíèåì ïî MIDI èëè ïðåñåòíûìè/ïîëüçîâàòåëüñêèìè ëàäàìè), àâòîìàòè÷åñêîå èëè ðó÷íîå óâåëè÷åíèå/óìåíüøåíèå ïðîäîëæèòåëüíîñòè ôðàçû (äèàïàçîí 500 ìñ), óäâîåíèå ãîëîñà, ïðåîáðàçîâàíèå âûñîòû òîíà â MIDI. Ïðèìåíÿåòñÿ îïòèìèçèðîâàííàÿ äëÿ ãîëîñà òåõíîëîãèÿ ñìåùåíèÿ âûñîòû òîíà, èìåþùàÿ ÷åòûðå ðåæèìà ðàáîòû: ïîñðåäñòâîì ñåêöèè ìîäåëèðîâàíèÿ ãîëîñà, Instrumental, Formant Corrected è HybridShift (ïîñëåäíèé ïðåäñòàâëÿåò ñîáîé êîìáèíàöèþ ïåðâûõ äâóõ ñ âîçìîæíîñòüþ óñòàíîâêè ïðîöåíòíîãî ñîîòíîøåíèÿ). Åñòü 100 ïðåñåòíûõ è 50 ïîëüçîâàòåëüñêèõ ïýò÷åé. Íà ïåðåäíåé ïàíåëè ðàñïîëîæåíû âûêëþ÷àòåëü ïèòàíèÿ, ðåãóëÿòîð ÷óâñòâèòåëüíîñòè âõîäîâ, ðåãóëÿòîð âûõîäíîãî óðîâíÿ, äèñïëåé, øåñòíàäöàòü ôóíêöèîíàëüíûõ êíîïîê è êîëåñî ââîäà äàííûõ. Íà çàäíåé ïàíåëè íàõîäÿòñÿ ïàðà ñèììåòðè÷íûõ ëèíåéíûõ àíàëîãîâûõ âõîäîâ (XLR), ïàðà ñèììåòðè÷íûõ ëèíåéíûõ àíàëîãîâûõ âûõîäîâ (XLR), ýëåêòðè÷åñêèé öèôðîâîé èíòåðôåéñ ôîðìàòà SPDIF (RCA), òðè MIDI-ðàçúåìà, âõîä äëÿ ïåäàëüíîãî ïåðåêëþ÷àòåëÿ (äæåê). Àíàëîãî-öèôðîâûå è öèôðî-àíàëîãîâûå ïðåîáðàçîâàòåëè èìåþò ðàçðÿäíîñòü 24 áèòà, ÷àñòîòû äèñêðåòèçàöèè 44,1 è 48 êÃö (ïðè 128-êðàòíîé ïåðåäèñêðåòèçàöèè). Óñòðîéñòâî âûïîëíåíî â îäíîðýêîâîì êîðïóñå. Åñòü ïðîãðàììíûå MIDI-ðåäàêòîðû äëÿ PC è Mac. With VoiceOne you can: * Add overall character to weaker vocals to make them stronger and more resonant * Add overall breath and more head-tone to a darker voice * Add or subtract vocal modeling effects in realtime to enhance particular notes or phrases * Re-pitch an existing vocal while maintaining the natural formants * Re-phrase an existing vocal to change the timing and feel of a vocal line * Correct an out of tune vocal or even transpose it to another key * Create convincing harmony and doubling * Create new and original vocal effects TECHNICAL SPECIFICATIONS Digital Inputs and Outputs * Connectors: RCA Phono (S/PDIF) * Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958 * Output Dither: HPF/TPDF dither 24/20/16/8 bit * Sample Rates: 44.1 kHz, 48 kHz * Frequency Response DIO: DC to 23.9 kHz ± 0.01 dB @ 48 kHz Analog Inputs * Connectors: XLR, balanced * Impedance, Bal / Unbal: 21 kOhm / 13 kOhm * Max. Input Level: +24 dBu * Min. Input Level for 0 dBFS: 0 dBu * Sensitivity: @ 12 dB headroom: -12 dBu to +12 dBu * A to D Conversion: 24 bit, 128 x oversampling bitstream * A to D Delay: 0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz * Dynamic Range: 100 dB typ, 20 Hz - 20 kHz * THD: typ < 92 dB (0,0025 %) @ 1 kHz * Frequency Response: +0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz * Crosstalk: <-95 dB, 20 Hz to 20 kHz Analog Outputs * Connectors: XLR, balanced * Impedance Balanced / Unbalanced: 40 Ohm * Max. Output Level: +20 dBu (balanced) * Output Ranges: o Balanced: 20/14/8/2 dBu o Unbalanced: 14/8/2 dBu * D to A Conversion: 24 bit, 128 x oversampling bitstream * D to A Delay: 0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz * Dynamic Range: 104 dB typ, 20 Hz to 20 kHz * THD: typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output * Frequency Response: +0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz <-100 dB, 20 Hz to 20 kHz EMC * Complies with: EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B IEC 65, EN 60065, UL6500 and CSA E60065 Safety * Certified to: CSA FILE #LR108093 Environment * Operating Temperature: 32° F to 122° F (0° C to 50° C) * Storage Temperature: -22° F to 167° F (-30° C to 70° C) * Humidity: Max. 90 % non-condensing Control Interface * MIDI: In/Out/Thru: 5 Pin DIN * Pedal: 1/4" phone jack General * Finish: Anodized aluminum front, Plated and painted steel chassis Êàê íîâûé, ïîëíûé êîìïëåêò ñ êîðîáêîé è ìàíóàëîì. Âàøà öåíà? evenodd@mail.ru 8 9 O 3 76 1 79 8 9 |
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