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Òåìà: Behringer Digital Delay
Âðåìÿ: 08.01.2012 18:27 |
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Ìîñêâà Ãèòàðà 
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Ïðîáëåìû ñ ïåäàëüêîé. Îíà ñàìà âêëþ÷àåòñÿ-âûêëþ÷àåòñÿ, íå ïðîâîäèò ÷èñòûé çâóê. Ïðîáîâàëà ñ ðàçíûìè ãèòàðàìè è óñèëèòåëÿìè:âñ¸ ðàâíî ãëþ÷èò. Íå ìîãó íàéòè ÷åê èç ìàãàçèíà, ïîýòîìó ïîìåíÿòü èëè äîêàçàòü, ÷òî ïåäàëü íà ãàðàíòèè íå ìîãó. ×òî äåëàòü? | |
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Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 08.01.2012 18:38 |
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Ïàâëîäàð Fender, Line6, Korg 
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Ãëþêè ñëó÷àþòñÿ, íàïðèìåð, ïðè ïëîõîì ïèòàíèè. Ïîñòàâü ñâåæóþ êðîíó è ïðîâåðü. | |
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Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 08.01.2012 18:45 |
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Ìîñêâà Ãèòàðà
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>Ãëþêè ñëó÷àþòñÿ, íàïðèìåð, ïðè ïëîõîì ïèòàíèè. Ïîñòàâü ñâåæóþ êðîíó è ïðîâåðü. Íå ïîìîãàåò. Ïðîáîâàëà îò ñåòè:òà æå ôèãíÿ |
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Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 08.01.2012 19:24 |
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Ïàâëîäàð Fender, Line6, Korg
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Íàâåðíîå, íàäî èñêàòü ÷åê. Èëè ýëåêòðîíùèêà ýíòóçèàñòà, êîòîðûé íå âîçüì¸ò çà ðåàíèìàöèþ ñóììó â ñòîèìîñòü íîâîé ïåäàëüêè. Øòóêîâèíà-òî íåäîðîãàÿ. | |
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Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 09.01.2012 00:40 |
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Äóáàé Gibson Les Paul Custom 1998
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Ðàçóìíàÿ ïîñëåäîâàòåëüíîñòü äåéñòâèé: 1. Ïðîâåðèòü ïèòàíèå. (*Åñëè íå çàðàáîòàåò, òî...) 2. Ñòóêíóòü ïî ïåäàëè êóëàêîì (*); 3. Ðàçîáðàòü-ñîáðàòü (*); 4. Âûáðîñèòü è êóïèòü íîâóþ. |
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Gibson LP - Cry Baby 95 - Catalinbread Formula ¹5 - Ibanez TS-9 - Blackstar HT-Blackfire - Boss CH-1 - Jack DeVille Dark Echo - Blackstar HT Studio 20
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Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 09.01.2012 04:51 |
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Ñèìôåðîïîëüñê
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... >4. Âûáðîñèòü è êóïèòü íîâóþ. ýòî ïåðâûé è ïîñëåäíèé ïóíêò |
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Àé íîó èòñ îíëè ðàêåíðîë áàëàëàéêå! (ñ) Ðîëëèíõ Ñòîóíñ
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| Àâòîð |
Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 09.01.2012 08:52 |
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Åñòü
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Åñòü ìíåíèå, ÷òî Áåõðèíãåð ýòî òàêàÿ ñïåöèàëüíàÿ ôåéê-ôèðìà, ÷òîáû îòó÷àòü ïîêóïàòü äåøåâîå. | |
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Òåìà: Re: Behringer Digital Delay
Âðåìÿ: 09.01.2012 10:48 |
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Ïàâëîäàð Fender, Line6, Korg
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>Åñòü ìíåíèå, ÷òî Áåõðèíãåð ýòî òàêàÿ ñïåöèàëüíàÿ ôåéê-ôèðìà, ÷òîáû îòó÷àòü ïîêóïàòü äåøåâîå. Íàäî çíàòü, ÷òî ìîæíî ïîêóïàòü ó Behringer, à ÷òî íåò. Ìíîãèå âåùè ó íèõ ïî ñîîòíîøåíèþ "Öåíà-êà÷åñòâî" î÷åíü äîñòîéíû. À ñëóõè î òîì, ÷òî Behringer àïðèîðè ãîãíî - ðàñïóñêàþò ïðîäàâöû êîíêóðèðóþùèõ áðåíäîâ, ïîòîìó ÷òî ñ Behringer'îì ÷åñòíî êîíêóðèðîâàòü ïïö íåðåàëüíî. Ðàçóéòå ãëàçà è ïîñìîòðèòå, ÷òî ïðîäà¸òñÿ íà ãëàâíîì ìóçûêàëüíîì ðûíêå ìèðà - â ÑØÀ: Behringer çàïîëîíèë âåñü ìèð áëàãîäàðÿ íîðìàëüíîìó ïðîèçâîäñòâó â Êèòàå è õîðîøåìó ìàðêåòèíãó. È îí íè÷åì íå õóæå äàæå çíàìåíèòûõ ïðîôåññèîíàëüíûõ êîíòîð, ïðîäàþùèõ áþäæåòíûå âåùè äëÿ íåèìóùèõ. |
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