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Òåìà: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 14.03.2011 23:59 |
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Ìîñêâà ãèòàðà  
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Êëàññíàÿ ñòàòüÿ ñ êàðòèíêàìè è âèäîñàìè. À êàêîé àëüáîì Sepultura ó âàñ ëþáèìûé? | |
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seven7steps.ru
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 00:04 |
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Ñàíêò-Ïåòåðáóðã Ãèòàðà 
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êëèï æóòêèé | |
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ÿ ïîñìåþñü íàä ñâîèìè óñïåõàìè, è èõ ïîäëèííàÿ öåíà ñòàíåò î÷åâèäíîé
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 00:06 |
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spb suhr+axefx+adam ♫ 
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òàì âèðóñíÿ íà ñàéòå | |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 01:02 |
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Ëèïåöê IBANEZ S1220 Prestige , IBANEZ S540FM 
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Äà êèïà÷¸ê æóòêîâàòûé. | |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 01:30 |
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Òàãàíðîã Àýðîóïðóãîñòü 
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Íó Ïîãîäè - ýòî íåøòÿã! 
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ÏÀÎ "ÒÀÍÒÊ èì. Ã. Ì. Áåðèåâà", ÎÊÁ
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 11:38 |
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Ìîñêâà ãèòàðà
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âèðóñíÿê ïî÷èñòèëè | |
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seven7steps.ru
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 11:39 |
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Ìîñêâà Ðóêè è çóáû 
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>À êàêîé àëüáîì Sepultura ó âàñ ëþáèìûé? Ðóòñ îäíîçíà÷íî) |
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!äëÿ äåòõà êóïè çîìáó!
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 11:39 |
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☆ Ðîññè® íå Ìîñêâà Handful of riffs 🎸 Fender, Jackson è ãèòàðû 
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>Sepultura tzarbooking , à êòî ýòî ? Ýòî òî ÷òî ó òåáÿ íà àâå? 
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Ýíòóçèàçì - ýòî âñå. Îí äîëæåí áûòü òóãèì è âèáðèðîâàòü, êàê ñòðóíà ãèòàðû. (ñ) Ïåëå
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 12:26 |
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Ìîñêâà Ìàôèÿ. 
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Ðóöáëàäèðóö 
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 13:06 |
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Àé ìàëàäöà, òåñêò è ôîòêó èç æóðíàëà guitarplayer ïî####èëè è 3 ôîòêè èç youtube.
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 13:09 |
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line6 ux1 
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à ÷òî ýòîò ïàðåíü èãðàåò íà ìåêñàõ? | |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 14:16 |
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Ñàíêò-Ïåòåðáóðã Êó÷à ãèòàðíîãî âñåãî íàêîïëåííîãî çà ìíîãî ëåò 
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Âñå ÿñíî) | |
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ý-Ý-Ý...ÌÌÌÌÌ-Ì..À-À....ìììì....Âîò...
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 14:58 |
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Ìîñêâà Çàìå÷àòåëüíî êàêàÿ ïðåëåñòüSpector ReBoop 
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Åäèíñòâåííàÿ åùü, íà êîòîðóþ íàñòóïàåò íà ñöåíå Àíäðåàñ - ýòî åãî êâàêóøêà Dunlop Cry Baby. Çà êóëèñàìè ãèòàðíûé òåõíèê Àíäðåàñà - Ñèëüâèî Ãîìåç âêëþ÷àåò Boss Super Chorus, êîãäà ýòî íóæíî. “Ñèëüâèî ðàáîòàåò ñî ìíîé âîò óæå ïî÷òè 20 ëåò, îí çíàåò âñå ïåñíè. ß íå õî÷ó äóìàòü î òîì íà êàêèå ïåäàëè íàñòóïàòü âñ¸ âðåìÿ. ß õî÷ó ñâîáîäíî ïåðåäâèãàòüñÿ ïî ñöåíå è ïðîñòî èãðàòü íà ãèòàðå”. íó è êîíå÷íî  è 
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Ïàðîëü îò ôëóäà â ìîåì ïðîôàéëå â ãðàôå i c q
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 15.03.2011 21:20 |
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Fὗcᶄ Ѧrڅ Ļغt`s kἷll! 
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Johny B Good ,  à åù¸ èíîãäà ìóçûêàíòû ãèòàðû íå ñàìè íàñòðàèâàþò, ðæàêà äà?
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I'd rather die than go to heaven.
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 13:38 |
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Ìîñêîâñêèå çàäâîðêè. Ïàëî÷êè ñàìîïàëî÷êè 
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À âàì íðàâèòñÿ çâóê Sepultura? íåò 
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"òû òàê ãîâîðèøü, áóäòî óáèéñòâî æèâîãî ñóùåñòâà - ýòî ÷òî-òî ïëîõîå" © Ëåáåäèíûé õðóñò
"It never ceases to amaze me, people in an effects forum complaining about somebody using too many effects" © |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 13:46 |
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Ñàíêò-Ïåòåðáóðã Êó÷à ãèòàðíîãî âñåãî íàêîïëåííîãî çà ìíîãî ëåò
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> Johny B Good , à åù¸ èíîãäà ìóçûêàíòû ãèòàðû íå ñàìè íàñòðàèâàþò, ðæàêà äà? À âîò ýòî ïðàâèëüíî. Ïóñòü ìîðàëüíî ãîòîâèòñÿ, à âñÿêèå ïîìîùíèêè íàñòðàèâàþò ãèòàðû! 
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ý-Ý-Ý...ÌÌÌÌÌ-Ì..À-À....ìììì....Âîò...
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 17:15 |
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Moscow 7 strings 
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Íàäî æå òàêóþ àõèíåþ ñíÿòü 
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 17:17 |
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Moscow 7 strings
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Íèêèòêî Ìèõàëêîâ îòäûõàå 
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 17:37 |
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Ìîñêâà Çàìå÷àòåëüíî êàêàÿ ïðåëåñòüSpector ReBoop
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ᾥeirdѻ , íó íå äî òàêîé æå ñòåïåíè ÷òîáû âêëþ÷àòü ýôôåêò õîðóñà ïåäàëüêîé îò Áîññ çà ñöåíîé... | |
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Ïàðîëü îò ôëóäà â ìîåì ïðîôàéëå â ãðàôå i c q
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 19:05 |
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Ìîñêîâñêèå çàäâîðêè. Ïàëî÷êè ñàìîïàëî÷êè
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Ñîãëàñåí, êîãäà çâóêîðåæ ñ ïóëüòà âêëþ÷àåò ñëîæíûå ðåêîâûå ýôôåêòû, ýòî ìîæíî ïîíÿòü (åñëè øîó çðåëèùíîå íàïðèìåð). Íî òîïàòü ïî ïåäàëè
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"òû òàê ãîâîðèøü, áóäòî óáèéñòâî æèâîãî ñóùåñòâà - ýòî ÷òî-òî ïëîõîå" © Ëåáåäèíûé õðóñò
"It never ceases to amaze me, people in an effects forum complaining about somebody using too many effects" © |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 16.03.2011 20:34 |
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Ó Ñåïû íðàâÿòñÿ òîêà ïàðó ïåñåí ñ Êåéîñ Ýé Äè. | |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 17.03.2011 07:14 |
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Òóëååâ-ñèòè Guitar, Bass, Keyboards etc... 
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Roots è Revolusongs 
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Fender Fat-Tele -> Vox V847 -> Boss SD-1 (jp) -> Shift Line la Rat -> MXR distortion + -> MXR phase 90 -> Boss BF-2(jp) -> EHX Pulsar -> Line 6 DL4 -> Ibanez LU 20 -> Marshall AVT 100
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 17.03.2011 07:20 |
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Òóëååâ-ñèòè Guitar, Bass, Keyboards etc...
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Êñòàòè, ñòàòüÿ äðåâíÿÿ. Ó íåãî ñåé÷àñ äîõåðà ïåäàëåé. Çíàþ, ÷òî þçàåò MXR distortion + è Carbon Copy. Ïðè÷¸ì, âêîíòàêòå ãäå-òî ôîòêè âèäåë. Òàì ó íåãøî âñ¸ ïîäíîãàìè ñòîèò. Âèäàòü òåõíèê â îòïóñêå áûë (èëè îí åãî èç-çà êðèçèñà ñîêðàòèë). | |
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Fender Fat-Tele -> Vox V847 -> Boss SD-1 (jp) -> Shift Line la Rat -> MXR distortion + -> MXR phase 90 -> Boss BF-2(jp) -> EHX Pulsar -> Line 6 DL4 -> Ibanez LU 20 -> Marshall AVT 100
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 21.03.2011 10:22 |
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Òóëååâ-ñèòè Guitar, Bass, Keyboards etc...
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Âîò åù¸ íàøåë íà ïðîñòîðàõ èíòåðíåòà îäíó ôîòêó. | |
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Fender Fat-Tele -> Vox V847 -> Boss SD-1 (jp) -> Shift Line la Rat -> MXR distortion + -> MXR phase 90 -> Boss BF-2(jp) -> EHX Pulsar -> Line 6 DL4 -> Ibanez LU 20 -> Marshall AVT 100
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 22.03.2011 21:14 |
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Âíóòðåííèé Ãîðîä Ãèòàðà 
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ïåäàëáîðä äî ãîðèçîíòà | |
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Gibson LP Std `92 ~> Korg Pitchblack ~> Morley Mark Mini Wah Volume ~> Alex Custom FX Scream & Growl
~> Boss DSD2 ~> MXR M-108EU ~> Marshall JCM 2000 DSL100 1960À |
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Òåìà: Re: Îáîðóäîâàíèå Andreas Kisser / Sepultura
Âðåìÿ: 22.03.2011 21:54 |
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Áåëãîðîä
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>Ñîãëàñåí, êîãäà çâóêîðåæ ñ ïóëüòà âêëþ÷àåò ñëîæíûå ðåêîâûå ýôôåêòû, ýòî ìîæíî ïîíÿòü (åñëè øîó çðåëèùíîå íàïðèìåð). >Íî òîïàòü ïî ïåäàëè Âæèâóþ íàáëþäàë òàêîå íà âûñòóïëåíèè ãð. Ìàñòåð ïîä Êóðñêîì ïàðó ëåò íàçàä... ñòîèò õëîï÷èê ïîä ñöåíîé è ïåäàëüêè íàæèìàåò çà ãèòàðàñòà. ðóêàìè. |
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"Cëàâà àëëàõó, ÷òî ÿ íå ñîñòîÿëñÿ êàê ìóçûêàíò, òåïåðü åñòü ãäå æèòü è íà ÷åì åçäèòü 8)" © Research
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